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TIME: Almanac 1990
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1990 Time Magazine Compact Almanac, The (1991)(Time).iso
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1990-10-27
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55 lines
David Sarnoff
(JULY 15, 1929)
Springing directly from the Silent Cinema, the Talking Cinema is
controlled mainly by strong Silent Cinemen. Great film names, with
sound and without, are Fox Film Corp., Paramount-Famous-Lasky Corp.,
Warner Bros., United Artists. Yet one potent Talking Cinema company
backs its speaking present with no silent past. This company is
opulent, many-branched Radio Corp. of America. In Photophone it has
its own talking mechanism. In RKO Productions, Inc., it has its own
production and distribution company. In General Electric and Westing-
house Electric it has tremendous laboratory resources. During 1929-30
there will be made 30 full-length and 52 short Radio pictures, all of
which will talk, many of which will also sing. In these pictures will
appear Richard Dix, Rudy Vallee, Rod La Rocque, Owen Moore, Bebe
Daniels, Betty Compson. Writers will include Ben Hecht, Charles
MacArthur, Eugene Walter, Vina Delmar. Thus among great film companies
must be ranked Radio Corp., and to the list of cinema tycoons must be
added the name of short, stocky David Sarnoff, Radio Corp.'s Vice
President and General Manager.
In 1919, when Radio Corp. was formed, it was organized soley for the
purpose of transmitting messages.
First step in Radio Corp.'s change from communications to enter-
tainment came with the development of music and voice broadcasting.
Endowed with many a vital patent (it has licensed 25 set-makers to
manufacture under it patents), Radio Corp. grew with radio, found
that Station-to-Home transmission was far more profitable a business
than Shore-to-Shore or Ship-to-Shore transmission. In 1921 Radio
Corp.'s entertainment business totaled some $1,500,000, or about 36%
of the company's total business. In 1922, entertainment totaled some
$11,250,000, or about 80% of total business. Last year Radio Corp's
gross sales were approximately $87,000,000, and its $6,000,000 income
in patent royalties was slightly larger than its total income from
communications.
From radio the expansion into the phonograph business was logical
inasmuch as the old-style phonograph, failing to compete with radio
sets, went in for electric reproduction and also for combination
radio-phonographs. Entrance into the theatrical field resulted partly
from the invention of Photophone, the talking cinema mechanism
perfected by Westinghouse and General Electric engineers, and partly
from Radio Corp.'s realization of the potential profits in electrical
entertainment on the largest possible scale.
Ramifications of Radio Corp. in entertainment are best shown by
noting what Radio Corp. can (and doubtless will) do to "plug" (exploit)
its entertainers. Example: Rudy Vallee, singer and orchestra leader,
will soon be seen and heard in a Radio talkie. He can make Radio-
Victor records of the featured songs. He can broadcast them over
National Broadcasting Co.'s chain of 53 stations (N.B.C. is 50% owned
by Radio Corp.). He can appear at RKO theaters. Cinema, radio,
phonograph, vaudeville--Radio Corp. is very much in them all.